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・ The Gift (Seether song)
・ The Gift (Steel novel)
・ The Gift (Susan Boyle album)
・ The Gift (The Jam album)
・ The Gift (The McCarters song)
・ The Gift (The Sarah Jane Adventures)
・ The Gift (The Twilight Zone)
・ The Gift (The Velvet Underground song)
・ The Gift (The X-Files)
・ The Gift (TV series)
・ The Gift Machine
・ The Gift of Asher Lev
・ The Gift of Christmas
・ The Gift of Fear
・ The Gift of Gab
The Gift of Game
・ The Gift of Love
・ The Gift of Music (record label)
・ The Gift of Rain
・ The Gift of Rock
・ The Gift of Speed
・ The Gift of Stones
・ The Gift of the Emperor
・ The Gift of the Magi
・ The Gift of Time
・ The Gift Outright
・ The Gift Supreme
・ The Gift That Keeps Giving
・ The gift that keeps on giving
・ The Gift to Stalin


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The Gift of Game : ウィキペディア英語版
The Gift of Game

| Length = 45:17 |
| Label = Columbia|
| Producer = Josh Abraham |
| Last album = |
| This album = ''The Gift of Game''
(1999) |
| Next album = ''Darkhorse''
(2002) |
| Misc =
}}
''The Gift of Game'' is the first album by Los Angeles band Crazy Town. It was released on November 9, 1999 in the U.S. by Columbia Records. The album yielded the band its biggest hit to date with "Butterfly" which reached number 1 on the ''Billboard'' Hot 100 on March 24, 2001.
Worldwide the album sold more than 2.5 million units, with more than 1.5 million in the US alone.
The girl licking the lollipop on the cover of the album is a fictional character created by Crazy Town, known as "Little Lolita". Both the album title and the picture of Little Lolita are based on lyrics from the song "Lollipop Porn". The album cover was designed by co-lead singer Shifty Shellshock's father and uncle. A song titled "Lolita" later appeared on Shellshock's solo album ''Happy Love Sick''.
==Reception==

Steve Huey at AllMusic described the album as "similar to many other rap-inflected alternative metal albums in that it concentrates on sound over structure, creating macho, aggressive grooves with grinding, noisily textured guitars and the underlying feel of squared-off hip-hop beats. While Huey argued that the shows signs of Limp Bizkit's "juvenile humor", it shows "promise".〔 April Long of ''NME'' criticized the album for its generic guitar riffs, and containing "some of the most Neanderthal lyrics ever written"〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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